Free bag mockups
Shopping bags, kraft, gift bags, cotton totes and linen — what separates them is mostly what happens to them afterwards. Usually a few files to a set, because the panel facing you and the panel doing the work are rarely the same one.
ISO format
A4 / A5 / A6
6
DL
6
Square
4
US format
Letter8.5×11 in
6
Half Letter5.5×8.5 in
3
Legal8.5×14 in
3
Tabloid11×17 in
3
Other
5
A4 / A5 / A66 options
DL6 options
Square4 options
Letter8.5×11 in · 6 options
Half Letter5.5×8.5 in · 3 options
Legal8.5×14 in · 3 options
Tabloid11×17 in · 3 options
StudioFlyer
All flyer mockups
A4 / A5 / A6
6 options
DL
6 options
Square
4 options
Letter8.5×11 in
6 options
Half Letter5.5×8.5 in
3 options
Legal8.5×14 in
3 options
Tabloid11×17 in
3 options
Other
5 options
StudioBrochure
All brochure mockups
A4/A5 Vertical
A4/A5 Horizontal
Square
DL
Letter8.5×11 in
Half-Letter5.5×8.5 in
StudioBusiness card
StudioOutdoor
All outdoor mockups
Roll-ups and banners
Posters and citylights
Billboards
Signboards
A-Stands
Signs
Flags
Stands
StudioMore categories
Bag mockups
Bag mockups for branded carriers — paper shopping and gift bags, kraft, and cotton and linen totes.
PaperShopping, gift, kraft
FabricCotton tote, linen
FilesA few per set, multiple panels
FormatLayered PSD, smart objects
A bag is really several surfaces pretending to be one, which is why a set usually needs more than a single file. The front is what a shop shows on the shelf, but the side gusset is what people actually see going past on the street, and the two want different things from the design — a full wordmark rarely survives being folded round a corner. Handles cut into the top band, so anything placed too high gets lost, and a paper bag creases as it's carried while a full tote pulls taut. The design has to work across all of that, not just on the flat panel you draw it on.
Material sets the character. Kraft is warm and rough and drinks ink, so it suits a one-colour stamp more than a photo; a coated paper bag takes rich print and sharp edges; cotton and linen have an open weave that swallows thin lines and shifts colour a shade toward the thread. These are how a shop leaves the shop — boutiques, bakeries, bookshops, wine merchants, the merch corner at a gig — and each material moves the artwork somewhere slightly different, which is the thing to check before a run. Seeing your design on the actual bag, front and side, tells you what a flat panel can't.
In the sets: the bag shown front and side, standing and often held, on a clean background, so you can present the design on its own or set it in a scene. Each is a layered PSD with smart objects — the artwork sits on its own layer, so replacing it leaves the paper, weave, folds and shadow untouched.




