Free logo mockups
A logo never lives in one place, so this set follows it onto paper, onto signage, across an office and into a rubber stamp. A fast way to see how the mark behaves the moment it leaves your screen — layered, free, swapped in seconds.
ISO format
A4 / A5 / A6
6
DL
6
Square
4
US format
Letter8.5×11 in
6
Half Letter5.5×8.5 in
3
Legal8.5×14 in
3
Tabloid11×17 in
3
Other
5
A4 / A5 / A66 options
DL6 options
Square4 options
Letter8.5×11 in · 6 options
Half Letter5.5×8.5 in · 3 options
Legal8.5×14 in · 3 options
Tabloid11×17 in · 3 options
StudioFlyer
All flyer mockups
A4 / A5 / A6
6 options
DL
6 options
Square
4 options
Letter8.5×11 in
6 options
Half Letter5.5×8.5 in
3 options
Legal8.5×14 in
3 options
Tabloid11×17 in
3 options
Other
5 options
StudioBrochure
All brochure mockups
A4/A5 Vertical
A4/A5 Horizontal
Square
DL
Letter8.5×11 in
Half-Letter5.5×8.5 in
StudioBusiness card
StudioOutdoor
All outdoor mockups
Roll-ups and banners
Posters and citylights
Billboards
Signboards
A-Stands
Signs
Flags
Stands
StudioMore categories
Logo mockups
Logo mockups for presenting a mark in context — a logo shown embossed, engraved, printed, painted and stamped across real surfaces.
ApplicationsEmboss, engrave, print, stamp
SurfacesPaper, metal, glass, wall
Good forBranding decks, presentations
FilesLayered PSD, smart objects
Unlike most mockups, the object here isn't the point — the mark is. A logo has to hold up applied every which way, and each method tests something different: embossed or debossed into thick paper, so it survives as shape alone with no colour; foil-stamped or gold on a card; engraved into metal or etched on glass; painted large on a wall; pressed as an ink stamp that clogs if the linework's too fine. Seeing the mark rendered into these surfaces is how you find out whether it works as a real-world thing or only as a vector — a logo that leans on a gradient or a hairline can fall apart the moment it's embossed or stamped in one flat colour.
These are made for presentation more than production. Dropping a client's mark onto a textured, lit, physical surface makes it feel resolved and expensive in a way a flat file on white never does — which is exactly what sells an identity in a pitch deck, a case study or a portfolio. It's the closing slide of a branding project: the same logo shown embossed, engraved and stamped, proving it lives comfortably off the screen. Swap your mark into the smart object and the texture, depth and lighting stay exactly as rendered.
In the sets: the mark shown embossed, engraved, printed or stamped on real surfaces, close and lit to catch the texture, so you can present a logo in context or on its own. Each is a layered PSD with smart objects — the mark sits on its own layer, so replacing it leaves the surface, depth, lighting and shadow untouched.






























