Free unusual flyer mockups
The ones that don't fit anywhere else — cross folds, die-cut shapes, and whatever comes next. Free to download, layered, and these are the formats where a mockup actually earns its keep.
ISO format
A4 / A5 / A6
6
DL
6
Square
4
US format
Letter8.5×11 in
6
Half Letter5.5×8.5 in
3
Legal8.5×14 in
3
Tabloid11×17 in
3
Other
5
A4 / A5 / A66 options
DL6 options
Square4 options
Letter8.5×11 in · 6 options
Half Letter5.5×8.5 in · 3 options
Legal8.5×14 in · 3 options
Tabloid11×17 in · 3 options
StudioFlyer
All flyer mockups
A4 / A5 / A6
6 options
DL
6 options
Square
4 options
Letter8.5×11 in
6 options
Half Letter5.5×8.5 in
3 options
Legal8.5×14 in
3 options
Tabloid11×17 in
3 options
Other
5 options
StudioBrochure
All brochure mockups
A4/A5 Vertical
A4/A5 Horizontal
Square
DL
Letter8.5×11 in
Half-Letter5.5×8.5 in
StudioBusiness card
StudioOutdoor
All outdoor mockups
Roll-ups and banners
Posters and citylights
Billboards
Signboards
A-Stands
Signs
Flags
Stands
StudioMore categories
Unusual formats
Flyers that aren't a rectangle folded the usual way — die cuts and odd folds, each one its own shape.
FormatNon-standard
IncludesCross fold, die-cut shapes
SizesVaries by set
FilesLayered PSD, smart objects
These are the pieces where the shape does the talking before the design gets a chance. A heart-shaped flyer is read as a heart first and a message second, and a cross fold announces itself by the way it comes apart in someone's hands — which is the point, and also the risk, since an unusual format can carry a weak idea for about two seconds. They turn up where a normal sheet would be ignored: weddings and Valentine's promos, product launches, invitations, anything trying to survive a stack of ordinary paper.
They're also the hardest formats to judge from a flat file. A die cut crops your artwork along a curve you didn't draw, and a cross fold opens in a sequence that's genuinely hard to picture until you see it — panels turning up in an order the flat layout doesn't suggest. Dropping the design into a mockup is usually the quickest way to find out whether the shape is working with the artwork or against it. More formats get added here as they're made.
In the sets: closed, part-open and laid flat, held and shot from above, so you can see how the shape behaves as well as how the artwork sits on it. Each is a layered PSD with smart objects — the artwork sits on its own layer, so replacing it leaves the shape, folds, lighting and shadow untouched.




